It's A Living

You may have read that there was a skirmish between the paps at the Gosselin house Sunday. It started over a parking space. Other than on the side of the road, which is usually not allowed, parking can be found in one of two areas. One area is about a half mile away on a connecting country road, where there is a little turnaround area with a small triangle of grass in the middle. That is the preferred area, because the other one's at Blue Marsh over a mile away around several bends down the winding country road in the other direction. One photographer has been spending more time that the others at Casa Gosselin, and he's been using the preferred space for quite some time. So much time that he's begun to feel entitled to it. So he got testy when he went to park the other day and found that some other paps had taken the parking space he now feels entitled to, and some nasty words were exchanged. According to my source the annoyed photographer is a little hotheaded so the verbal exchange wasn't that big of a surprise.

Some of my readers have asked about the paparazzi - what it's like for them, how much they make, what their relationship to J&K has been. Today I broke bread with my friend who worked for a tabloid last year and asked him some questions about all that, and here's what I learned. (NOTE: Paparazzi are usually either photographers or reporters, but are usually not both. This is because they are either professional photographers, or they are professional journalists. Whenever possible, below, I differentiate which one they are. If I use the word "paps, " then either I don't know which one it was, or it doesn't matter for the purposes of that sentence. People usually picture just photographers below the house at the fence, but there are sometimes reporters there as well. You can usually tell which is which because the photographers have very good expensive equipment while reporters have either crappy or no cameras, or sometimes they have binoculars. They all have the newest hand-held devices which allow them the virtually get images and stories to their respective employers or buyers.)

Kate has, except for one occasion, refused to even acknowledge the paps, either at her home or when she's out doing her errands. On the other hand, Jon's contact and relationships with various reporters and photographers have developed steadily since when he was still on the show with Kate. At first he just came down to the fence and signed pictures for fans, but he gradually began answering questions and engaging in actual conversations. After Jon began responding to the paps, one of the photographers went online and made a fake Jon fan site and told Jon about it to get in good with him. (That fan site was online briefly and then faded into oblivion, and my source believes Jon never knew it was fake.) Then Jon gradually started inviting paps out for drinks. A mutual understanding was established: Jon would provide photo opportunities and sound bites for the paps, and in exchange the paps would leave him alone when he went out to the bars at night so he wouldn't be photographed drunk or behaving badly. For example, he'd tell them when and where he was going to get his car washed so they could be there if they wanted pictures, and then later he could go out and party without worrying about photo evidence which might tarnish his TLC-appropriate image.

Occasionally Jon would befriend one of the paps and they'd go out to eat or party together, and then he'd switch favorties and move on to another. Boundaries became blurred as the same group of people were around each other for hours at a time at the property or wherever the action was, some of them photographers, some of them reporters, some of them bodyguards and some of them Jon. Money started changing hands when guards could be seen being handed cash for tipping off the paps about where Jon or Kate were going or even about things happening in the house. Jon also started cashing in on all the money being made outside of his TLC work, especially after the show ended and he no longer had that income. He started leaking things to the paps, and then he hired one of the tabloid photographers to be his bodyguard. Then this photographer who was also Jon's bodyguard was able to take pictures of Jon no one else could get, and he and Jon split the money they got for the pictures.

After the Deanna Hummel pictures were released TLC barred Jon from talking to anyone for 45 days. In the beginning of the 45 day press ban, Jon signed autographs at the front fence but would say "No comment," or apologetically state that he was not allowed to talk with anyone anymore. Then after a while the TLC ban was gradually forgotten and he started talking again. Ever since the tabloid shit hit the fan last year Jon has leaked a lot of stories and sometimes tried to manipulate the press by planting things. My friend told me that Jon probably leaked the ridiculous recent story about his having a rich older girlfriend from Washington D.C., which hasn't panned out to be true.

Kate has never walked down to the gate to talk to fans or photographers. She has, one time that I know of, walked down to the gate to put out the trash. This appeared very staged due to the casual yet trendy matchy-matchy outfit and nice makeup and hair, and the fact that she could see there were lots of paps out front at the time so obviously they were going to take her picture and ask her questions. She usually has the house help or nannies take the trash down. When she has the gate opened to drive in or out, she does not make eye contact or acknowledge the paps or fans, just like she does not acknowledge them at Target, Starbucks or anywhere else.

TLC currently pays Jon $5,000 a month with the provision that he is not allowed to do any other work. TLC has a one-way option of continuing this contract once it runs out. (In other words, it's their decision whether or not to continue with it, and Jon has to go along with that decision.) As most of you probably know, Jon seems to be getting along better with Kate and TLC within the past couple of days, and it now looks like he's flip-flopped and is supporting the kids doing more television, so he may be getting lined up to be in Kate's new shows or to somehow otherwise increase his income from TLC.

How much can the photographers make if they get a good image? The picture of Deanna Hummel in the car with Jon that started the whole sordid shitstorm went for $18,000 to US Magazine. The photographer who got that shot was offered $24,000 by the National Enquirer but he decided to take less so he could have a glossy magazine cover in his portfolio rather than the legendarily tacky Enquirer. The highest price ever for a Gosselin image went to the photographer who went into the trees to the side of the house where he wasn't supposed to be and took the picture of Kate swatting one of the girl's behinds. That image fetched $72,000. On the other end of the spectrum, the Stephanie Santoro picture, when she was caught on film doing the early morning walk of shame out of Jon's garage apartment, only went for $10,000, as the price for images went progressively down with each of Jon's indescretions and she was numero quartro.

Kate has never had a relationship with the reporters or the photographers, but she doesn't have to because she has TLC packaging and promoting her. My friend has spoken to her and tried to engage her in conversations several times, and the only time my friend knows of that she actually responded to a reporter or photographer was on Monday 4/26/10, at the Giant where she grocery shops. That interview can be seen here.

Has Kate manipulated the press? It's possible she has, but if so, not nearly so much as Jon. The press can manipulate too. For example, People Magazine likes to make itself sound credible by saying they don't pay for interviews. Sure they don't, but what they don't tell you is that if you're in the magazine, especially on the cover, they will pay you for the photos. Therefore Jon and Kate have probably made the standard People magazine "photo" fee of $30,000 each time they've been on the cover.